First Quilt of the Summer

About a year ago I bought Cindi Edgerton’s Roman Stripes pattern while in Pennsylvania because the simple design really spoke to me.

Here’s the finished version.

I did diagonal quilting with my walking foot, matching the thread to the fabric colors.


Working on a wall hanging instead of a full-size quilt made it easier to get consistent stitches on my home sewing machine.

I like the way the quilt turned out, although the colors look more fluorescent when they’re all together than they did when I was choosing fabrics.

I designed the back myself while on retreat with the Seacoast Modern Quilt Guild. I wanted to echo the triangles on the front, using various shades of a single color.

I’m linking up to Crazy Mom Quilts.


Debating Two Layouts

Last summer, I bought a Roman Stripes pattern by Cindi Edgerton. I loved the simplicity of the design and the gradation of colors from dark to light. Turns out that the pattern was paper pieced, a method I’d never tried. I discovered that I like paper piecing. Now I’m at the point where I’m deciding between two layouts.

The first is more traditional:


The second is more geometric:


I’m leaning toward the more traditional layout at this point, but I will give myself more time to decide before I start sewing the squares together.

What’s your best method for making up your mind about quilting questions?

The Kindness of Strangers


I found the pattern for this Color Wheel Quilt in Last-Minute Patchwork and Quilted Gifts by Joelle Hoverson, owner of Purl Soho in New York City. It took me almost 18 months to make because piecing curves was a new skill for me, and also because I tried to quilt it on my home machine, but I couldn’t escape fabric puckers. After spending hours ripping out stitches, I took a one-day course on using a longarm machine at Laurena’s Longarm Quilting and then rented time on her computerized machine.

I used two patterns for the quilting — bubbles for the black sections and a swirl pattern for the colored panes.



I love the way the thread colors blend into the fabric. I really wanted the piecing to be the star of the show.


When I was picking out the fabric for the quilt, I visited Purl Soho in New York City. While standing at the register to pay for my fabric I discovered that my purse was missing. Purl Soho staffers couldn’t have been nicer. They let me use their classroom space to empty out my backpack in search of my purse and even gave me a muslin “Purl Soho” bag when I left. Weeks later, after many anxious phone calls to Grand Central Station (where I had put my purse down while eating my lunch) I recovered my purse — with everything still in it!



I have no idea who turned in my purse at Grand Central Station, but as a way of paying it forward (and thanking Purl Soho), I’m giving away a copy of Joelle’s book. It has many fantastic projects as well as stunning photography. If you want to enter the drawing, just leave a comment here telling me the first name of someone for whom you want to do a good turn. Giveaway open until Tuesday, Nov. 15. I’ll post the name of the winner here.


Thanks for stopping by!

A Divided Basket for Spring

Divided Basket #2

For years I have admired Anna Graham’s Divided Basket. I finally took the plunge to buy a pattern during a recent sale.

Because I am trying to use up the fabric in my stash, the cream is the only fabric I bought for this project.  The orange is the Pearl Bracelets print by Lizzy House. I had wanted to use it for years but had never found a pattern that could handle the bright color and large-scale print. I can’t remember what line the blue fabric is from (I’ve probably had it for five years), but I like the way the orange and blue play off each other. That’s what complementary colors excel at, right? I also like the way the circles in the two fabrics echo each other.

Divided Basket

If you haven’t seen Anna Graham’s blog (, check it out. Her work is amazing!


A New Bag For a New Year


Today I’m sharing a large tote bag I recently finished. I’m calling it The Groovy Bag since the Jonathan Adler fabric reminds me of vinyl records. They, in turn, remind me of the ’60s and ’70s, hence the name.

I bought the fabric at Zimman’s in Lynn, which is a fantastic store for home dec fabrics. The interior is Kona cotton in cream, fusible fleece, and some heavy-duty Peltex, though I can’t remember its exact number. Despite all the linings, the bag doesn’t quite stand up on its own, although once you fill the bag, it does.

The leather straps are 3/4-inch wide and available from this Etsy shop. If I had to do it over again, I would buy 1-inch wide straps. The interior has a magnetic clasp.


I sewed everything on my home machine, a Viking Husqvarna Sweden Model 60 20, and had no problems. I did use a jeans needle to help sew through all the layers. My machine is heavy — all metal parts, I think — and quite the workhorse!

True confessions time: there is a wrinkle on the back side seam of the bag. I think it happened because the exterior fabric was a smidge wider than the lining fabrics. Try as I might, I could not get the exterior to lie flat when I sewed the interior and exterior together. It most likely happened because when doing the initial cutting out, I was so worried that the exterior fabric wouldn’t be wide enough that I overcompensated by making the lining not quite wide enough.

I adapted the bag from a free online pattern here by All People Quilt.

Happy New Year to all! I hope 2016 will be happy and healthy for all of us.


A Plethora of Pouches

1st pouch

Although I didn’t do a lot of sewing this summer, I’m proud of what I did make — three fabric pouches.

I started making the first (with the red flowered fabric, above) while taking a quilting class at my local quilt store, but when the class ended and the pouch wasn’t finished, I had to figure out how to finish it on my own.

Thanks to many viewings of some youtube tutorials on how to box corners (see here and here), I finished the first pouch.

Then I did a second. You can see that it makes a nice home for Curly Top (my son’s stuffed bunny).

2nd pouch, w cT

And here’s the third.

3rd pouch

My pouches have a 100% cotton print on the bottom and a linen/cotton solid on the top. I mimicked the fabric selections used in Vanessa Christenson’s color block pouches pattern (available here). She includes directions for three sizes. I’ve made the large and medium sizes, but not the smallest.

I lined two of the pouches in a solid Kona cream. The third (the blue-green seashore print) uses a solid Kona blue.

Although I didn’t finish a quilt this summer, I’m thrilled with these pouches. For a long time, I’d admired Vanessa’s pattern and wanted to make my own.

Here’s hoping that everyone had fun making things this summer!